It is the year 1967. After five happy years of marriage in New York with Alberto and their young son, Anna Ribera returns to Spain to take her project Velvet to the next level. She and Alberto had been managing all things Velvet from across the ocean and, together with their best friends and partners, had made a name for Velvet as the number one address in the world of fashion and innovation. Now they decide to take the next step and turn their reputation into a franchise, first at home, then abroad. The first step is opening shop in the other great Spanish city, Barcelona, on its world famous promenade, the Passeig de Gracia. There, the second Velvet Fashion Store is about to open its gates, managed by Ana’s good friend Clara who had made it up the career ladder from seamstress to directorial assistant in the Madrid Velvet years.
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Generation Kill is a British-American television miniseries produced for HBO, based on the book of the same name by Evan Wright about his experience as an embedded reporter with the U.S. Marine Corps’ 1st Reconnaissance Battalion during the 2003 invasion of Iraq. It was adapted for television by David Simon, Ed Burns and Evan Wright. The series premiered on July 13, 2008. It was produced by Andrea Calderwood.
Between is the story of a town under siege from a mysterious disease that has wiped out everybody except those 21 years old and under. The series explores the power vacuum that results when a government has quarantined a 10-mile diameter area and left the inhabitants to fend for themselves.
A “contemporary prequel” to the 1960 film Psycho, depicting the life of Norman Bates and his mother Norma prior to the events portrayed in Hitchcock’s film, albeit in a different fictional town and in a modern setting. The series begins after the death of Norma’s husband, when she purchases a motel located in a coastal Oregon town so she and Norman can start a new life.
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Sir Arthur Conan Doyle, Harry Houdini and Stratton are tasked with the cases that nobody else can solve. It challenges their sense of what is real and what is not. Houdini is a skeptic, while Doyle believes in the unseen. Their diverse viewpoints make solving crime a challenge and often Stratton is put in the middle. The trio will take on cases that involve vampires, ghosts, monsters and poltergeists…or are they a ruse to conceal murder?